A researcher at MIT (1980-1986), he also worked in the computer software industry for a decade. Office: ED 3234, Education Specialist Mild/Moderate Support Needs (ESC, Special Ed) We focus on supporting . Professor Jennifer Jacobs. 0000009268 00000 n A Zoran, SO Valjakka, B Chan, A Brosh, R Gordon, Y Friedman, J Jacobs, D Mellis, A Zoran, C Torres, J Brandt, TJ Tanenbaum, Proceedings of the 2016 ACM Conference Companion Publication on Designing, Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, G Benabdallah, S Bourgault, N Peek, J Jacobs, Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, Proceedings of the 1st Annual ACM Symposium on Computational Fabrication, 1-2, Proceedings of the 33rd Annual ACM Symposium on User Interface Software and, Proceedings of Constructionism 2014 Conference. Associate Post Doctoral Research Fellow His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. This collection of links will get you to a load of information and resources you may find helpful while you're here. He holds joint appointments with the Department of Art and the Media Arts & Technology graduate program at the University of California Santa Barbara, and was appointed as Co-Director of the Univerisy of California system-wide Institute for Research in the Arts in 2009, where he is coordinating the art/science Integrative methodologies initiative. Karin Lohwasser Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Liu founded the NEH-funded Teaching with Technology project at UC Santa Barbara called Transcriptions: Literature and the Culture of Information (recently renamed Literature.Culture.Media) and his English Depts undergraduate specialization on Literature and the Culture of Information. 4312 Bren Hall, UC Santa Barbara . He completed a PhD in Music at the University of New York at Stony Brook. Her research has been presented at leading human-computer interaction research venues and journals including UIST, DIS, SIGGRAPH, and, most prominently, at the flagship ACM Conference on Human Factors in Computing Systems (CHI), where she received two best paper awards and one best paper honorable mention award in the past four years. trailer <<4D7E78DE4B274649907D09471A97BDD3>]/Prev 346937/XRefStm 1555>> startxref 0 %%EOF 1333 0 obj <>stream Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. Dr. Jacobs received her Ph.D. from UC Berkeley and her B.A. [citation needed] Career. He is a Fellow of the Optical Society of America and of the American Association for the Advancement of . He is currently writing a new book about "visioneers" - people who used their technical expertise to promote visions of a more expansive future made possible by the technologies they studied, designed, and promoted. The experiments, projects and courses we do and offer contribute to the arts-engineering / scientific community in the following way: 1) Explore new forms of visualizations through implementation of advanced knowledge of visual language, image syntax and semiotics 2) Rapid testing of concepts through visual/spatial/interactive means 3) Address image-based research that are on the fringe of engineering / science research for artistic exploration. In 2008, CREATE released EmissionControl, a new program for sound granulation written by David Thall in consultation with Curtis Roads. hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 Her work has been presented at international venues including CHI, SIGGRAPH, Art Basel in Miami, Boston Fashion Week, and Ars Electronica. Google Scholar. 0000006065 00000 n Lecturer. He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. Trained in engineering and physics, he received the PhD in Electrical and Computer Engineering from McGill University, and MA and BA degrees in Physics from The University of Texas, Austin and Wesleyan University. Office: ED 3232, Single-Subject (SST, Secondary) Click Here to Login with UCSB Net ID. Kate Farms is strengthened by the heart and . His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. Recently published from Univ. Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. Jennifer Pharaoh '82 . Login with your UCSB net ID to manage your events. We need new ways of conveying and accessing information, without requiring undue effort or attention on our part. 0000010120 00000 n Dr. Kuchera-Morin is a composer, Professor of Media Arts and Technology and Music, and a researcher in multi-modal media systems, content and facilities design. She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). Faculty. Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. Assistant Professor, Media Arts and Technology and Computer Science (by courtesy), The Expressive Computation Lab's objective is to foster the development of expressive computational tools for art, design, and engineering. Her recent work focuses on progamming language and runtime support for cloud computing. In 2013-2016, he collaborated with programmer Sekhar Ramakrishnan to design SpatialChords, a front-end to Ramakrishnans Zirkonium spatializer program, based on a theory of "spatial chords" or geometric forms in three-dimensional sound space. Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. sarahjacobs@ucsb.edu Professor In this email, Birchim explains how many students are "finding themselves without options" for At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. He is a recipient of the National Science Foundation's CAREER award, for his work on "Anywhere Augmentation", which enables computer users to place annotations in 3D space wherever they go, employing the physical world as user interface. She is the founder of Uproot, UCSB's first BIPOC art coalition. 0000004438 00000 n tdewar@ucsb.edu He is the creator of Artsmesh, a macOS application for live networked music performance. 3. %PDF-1.4 % ALL RIGHTS RESERVED. Specialization: Data visualization, computation & photography, interactive media art installation, mobile robotic multi-camera imaging. 0000007219 00000 n Computers are increasingly displacing many manual practices in favor of procedural, generative, and automated production. During 2002-2007 he was a member of the Board of Directors of the Electronic Literature Organization (ELO) and chair of the Technology/Software Committee of the ELOs PAD Initiative (Preservation / Archiving / Dissemination of Electronic Literature). At UChicago CS, we welcome students of all backgrounds and identities. His studio in Beijing specializes in live music performance over highspeed networks. I am strangely not a huge fan of capers. Jennifer Jacobs. All rights reserved. Title. His music is available on compact discs produced by the MIT Media Laboratory, Wergo, OR, Mode, and Asphodel. Her research and teaching encompass environmental media, the history and theory of electronic media, game studies, science and technology studies, and sound studies. Jennifer Jacobs, Sumit Gogia, Radomir Mech, and Joel Brandt. for a Member company and forgot your password. Supporting Expressive Procedural Art Creation through Direct Manipulation. Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. Despite this trend, computational and manual forms of creation are not mutually exclusive. In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. Jeremy covers Western water, weather and legal issues for E&E News, where he has worked since February 2011. . His research interests include algorithms for image synthesis, computational image processing, and computational photography, and he is a co-author of over 30 technical publications, including seven SIGGRAPH/SIGGRAPH Asia publications. She also received an M.F.A. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). ECL is seeking PhD students in MAT or CS for the 2020-2021 academic year. 293: Natalie Holdren His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. between music and language, and the visual, and would welcome collaboration with MAT students in any of these fields. 0000007962 00000 n Dr. Cabrera worked for more than six years as a professional sound designer and audio engineer and has taught at the undergraduate and graduate level in three countries. She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. My research lab investigates . Verified email at ucsb.edu - Homepage. He has published, lectured and exhibited his work internationally. Center for Black Studies Research 4603 South Hall University of California Santa Barbara, CA 93106-3140 T 805.893.3914 F 805.893.7243 E cbsr-assistant@ucsb.edu. jjacobs9@gmail.com. and Ph.D. degrees in Computer Science from the University of California, San Diego (UCSD). In particular, we investigate the design, engineering and study of human-AI integration through novel interfaces, interactions, tools and systems focusing on skill acquisition, task guidance and creative collaboration. BA University of Oregon, Computer Science, Media Arts and Technology. of Chicago Press is Local Transcendence: Essays on Postmodern Historicism and the Database. Dr. Visell is a faculty member at UC Santa Barbara, in the Media Arts and Technology Program, Electrical and Computer Engineering Department, and Mechanical Engineering Department (by courtesy). During 2008, Peljhan was appointed as one of the European Union Ambassadors of Intercultural dialogue. RHESSys is designed to provide science-based information about spatial patterns of ecosystem health and vulnerability in terms of water quantity and quality. He studied acoustic and electronic composition from 1968-73 at Cologne Music University as well as sonology from 1971-72 at Utrecht University. Bekijk profielen van professionals die 'Jennifer Jacobs' heten op LinkedIn. He was appointed Director of Pedagogy at Les Ateliers UPIC (later CCMIX) and Lecturer in the Music Department of the Universit Paris 8. I work across the fields of computational art and design, human computer interaction, and systems engineering. Professor Tague is currently modeling the impacts of climate change on stream-flow patterns in the western United States and examining how urbanization alters drainage patterns and associated biogeochemical cycling in watersheds in Baltimore, Maryland, and Southern California. Department of CHEMICAL ENGINEERING Engineering II Building University of California, Santa Barbara Santa Barbara, CA 93106-5080. Department of Art. UC Santa Barbara Alumni. Cc bi vit c nh du. My least favorite food: There really isn't any food I don't like. He received the Masters of Architecture at Ohio State university in 1983. In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". S lng "Trch dn bi" bao gm trch dn trong cc bi vit sau y trong Scholar. 0000000016 00000 n Professor of Computer Science. 0000005189 00000 n In spring 2016, she received the Silver Award in the annual Edison Awards Global Competition that honors excellence in human-centered design and innovation. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. 0000001921 00000 n UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. Monica Scafide David Young Jennifer Jacobs and Amit Zoran Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter Gatherer Craft. Department of English. His contribution to the digital media field since the early stages of its formation into a discipline in the early 1990s has been in intersecting cultural content with data processing as a means of creating new forms of aesthetic representations and socio-cultural narrative experiences. Department of Computer Science. 805.893.3412 His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. A native of Slovenia and a theatre and radio director by profession, Peljhan founded the arts and technology organization Projekt Atol in the early 90's and cofounded one of the first media labs in Eastern Europe, LJUDMILA in 1995. She was Chief Scientist of the Program from 1998 to 2003. Misha received her PhD at the MIT Media Lab in 2018. 0000003066 00000 n 0000004076 00000 n Assistant Professor of Media Arts and Technology, University of California Santa Barbara. Cc bi vit sau y c hp nht trong Scholar. Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. He was the lead DSP developer for Ableton Live, authoring an array of sound processing algorithms that are now used in music production across the globe. He studied electronic music and computer music composition at California Institute of the Arts (CalArts) and the University of California, San Diego (UCSD) and received a Doctorate from the Universit Paris 8. Department of Art 0000008750 00000 n Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. His work has received press fromoutlets such as the NY Times, BBC, Cell, Science, and the Late Show with Stephen Colbert. His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. Jennifer Jacobs, Joel Brandt, Radomir Mech, and Mitchel Resnick. JENNIFER JACOBS Updated: Oct 21st, 2019. Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. Dr. Sen has been awarded more than $2.2 million in research funding, including an NSF CAREER award in 2009. Work At UCSB, she directs the Expressive Computation Lab, which . From 1990-94 he was Artistic Director of the Institute of Sonology at the Royal Conservatory in The Hague, where from 1994-2006 he was Professor of Composition and Sonology. AlloSphere Research Group. and B.F.A from Hunter College and the University of Oregon respectively. natalie.holdren@ucsb.edu Please enable it to continue. Media Arts and Technology. Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Cyborgs and Space. Chandra has supervised and mentored over 40 students, has published her work in a wide range of ACM venues including CGO, ECOOP, PACT, PLDI, OOPSLA, ASPLOS, and others, and leads several educational and outreach programs that introduce computer science to young people, particularly those from underrepresented groups. Department of Electrical and Computer Engineering. Single-Subject (SST, Secondary) Tim Dewar tdewar@ucsb.edu Office: ED 2218. "Computation shapes the way people make things," said Stanford Computer Science researcher Jennifer Jacobs to a crowded room in Elings Hall during a Media and Art Technology seminar last week. We need to make computers accessible to all people in all situations. UC Santa Barbara Santa Barbara, California 93106 (805) 893-8000. More broadly, she works on ways to enable art and design professionals to leverage their domain expertise to quickly and effectively develop personal software tools. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Rhetoric, UC Berkeley; MA English Language and Literature, University of Maryland). Ecohydrology and Ecoinformatics, PhD, Geography, University of Toronto, Canada In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. 2) Broadening professional computational making through computational fabrication technologies. Assistant Professor In 2000 she began the creation, design, and development of a Digital Media Center within the California Nanosystems Institute. 735 20 Jennifer Jacobs (UCSB) Expressive Computation: Integrating Computation with Manual and Physical Making, Masters Program in Computer Science (MPCS), Masters in Computational Analysis and Public Policy (MSCAPP), Equity, Diversity, and Inclusion (EDI) Committee. Connect With UC SANTA BARBARA. University of California, Santa Barbara. and B.F.A from Hunter College and the University of Oregon respectively. Collectively, my research demonstrates how developing computational workflows, representations, and interfaces for manual and physical making can enable manual creators to leverage existing knowledge and skills. Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). We couldn't do it without you, our amazing faculty and staff members. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. The Slowscan label released in 2021 a collection of his electronic music on vinyl LP. Prior Employment Postdoctoral Fellow, Computer Science, Stanford University tepapp@education.ucsb.edu She works across the fields of computational art and design, human computer interaction, and systems engineering. Amber Moran She joined the UCSB faculty in 2001 after receiving her M.S. Elliot W. Hawkes is an Assistant Professor of Mechanical Engineering at UCSB. Email: esprogram@es.ucsb.edu. Sir Moses Montefiore Jewish Home . Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. 0000002325 00000 n We envision a future for computational production where software and hardware tools are truly shaped by the people who use them. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. Assistant Professor of Media Arts and Technology. 0000001555 00000 n Rooms 2024 and 2005, Elings Hall.
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